A post-war classroom built from scrap metal, with a chalkboard, film reels and projector

Education

Scriptageddon Academy

A score without instruction is just a grade. The Academy exists so every weakness we identify has a matching lesson that teaches you how to fix it. Start with the four steps below, then use the tabs to go as deep as you want.

Every object in the classroom opens a lesson

SEARCH THE FREE CRAFT LIBRARY

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Department head · The Professor

Don Paco

Turns every hazard into a lesson you can use.

Meet The Dons

Don Paco on the floor · tap him for a tip

Act two, explained
Required reading
Hauling the syllabus

How to use the Academy

01

Find the hazard

Run a submission and read your fifteen category scores. The lowest two are your curriculum — everything else can wait.

Test my screenplay
02

Take the matching lesson

Every hazard maps to a free lesson with a drill at the end. Open the one that matches your weakest category and do the drill on your own pages.

03

Rewrite with the paperwork

Use the Template Vault to rebuild the beat sheet, treatment, or logline the lesson exposed as weak. Save your version as you go.

Open the Template Vault
04

Re-submit and compare

A new draft earns a fresh full read. Watch the category that was failing climb — that is proof the lesson landed.

See a real report

The Sunday Wire Digest

One email a week: the greenlights and deals that matter, the new craft articles, and a logline prompt to run through the Lab.

No spam, no selling your address. Unsubscribe any time, with a confirmation step.

Learn the craft

The Fellowship

The Academy is open every hour of the day, which is exactly why some scripts never finish. The Fellowship is the opposite: 12 chairs, eight weeks, fixed dates, an assignment you have to file every week, and two scheduled pitch sessions where the room hears the project out loud. Intake is by score — a completed read of 130+ takes a chair outright, anything under it takes the waitlist.

Checking your chair…

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The eight weeks

  1. Week 1

    The Project Under Oath

    State what the script is actually about before anyone flatters it.

    File your premise in one paragraph, your protagonist's want in one line, their need in one line, and the single scene you know is not working. No pitching. Diagnosis only.

    Read the lesson behind this week →
  2. Week 2

    Pressure-Testing the Premise

    Find out whether the idea can survive a second act.

    Run the premise pressure test on your own logline, then rewrite the logline three different ways — cheapest, boldest, truest — and say which one you're building on.

    Read the lesson behind this week →
  3. Week 3

    The Sag Autopsy

    Middle acts die of comfort. Name the comfort.

    Map your midpoint. List every scene between page 40 and page 70 that could be cut without breaking the plot, and defend the three you refuse to lose.

    Read the lesson behind this week →
  4. Week 4

    Pitch Session One — The Room Hears It

    Pitch session

    Say it out loud to people who can't see your outline.

    Run the Pitch Room Simulator, then file your two-minute pitch as written text plus the three questions that hurt the most and how you'd answer them next time.

    Open the Pitch Room Simulator →
  5. Week 5

    Dialogue That Withstands the Name Cover Test

    Cover the names. If you can still tell who's talking, you're clear.

    Pick a four-page scene, cover the character names, and rewrite until each voice is identifiable. File the before and after of your worst exchange.

    Read the lesson behind this week →
  6. Week 6

    Stakes, Escalation and the Antagonist's Want

    An opponent with a plan is worth ten pages of tension.

    Write the antagonist's version of the story in a page — their want, their plan, and where they believe they are winning. Then list the three scenes your protagonist should be losing.

    Read the lesson behind this week →
  7. Week 7

    The First Ten, Rebuilt

    Nobody reads page sixty of a script that lost them on page three.

    Rebuild your first ten pages, run them through the First Ten tool, and file what the tool caught that you had already talked yourself out of fixing.

    Read the lesson behind this week →
  8. Week 8

    Pitch Session Two — Graduation Read

    Pitch session

    Submit the rewrite, take the score, take the room one more time.

    Submit the revised script for an Armageddon Score read, file the score movement against your intake read, and pitch the finished project to the room.

    Open the Pitch Room Simulator →