Work in progress
Nothing marked "in development" is finished, and nothing here is a promise with a date stapled to it. It is an honest look at where this platform is headed so you know what you are joining — including a few pages that already exist but are still being filled in. If something below matters to you, tell us — screenwriter demand decides the order.
Seasonal writing contests with real prizes — cash awards, paid coverage, and a guaranteed read from Hazard Talent Management. Entry judged on the same 15-category rubric every screenwriter already sees, so nothing is hidden behind a mystery panel.
Real producers, managers, and development executives reading your pages and writing genuine human coverage. This will be a paid option, priced well under what traditional coverage services charge, and it will always sit next to your Armageddon Score rather than replacing it.
The stall page is live at /merch, but the shelves are still empty while the first run gets made — Don Chuy and Don Bandito tees and enamel pins, Armageddon Score laurel gear for Elite screenwriters, notebooks, mugs, and poster art. Join the list on that page and you will hear the moment the first drop lands.
The page exists at /partners and the pitch is written, but the first film schools, writing organizations and festival partners are still being signed. Expect classroom rates, member discounts, and co-hosted contests once the ink is dry.
Live at /opportunities and filling in week by week — open calls, fellowships, labs and paid gigs pulled together in one place. Listings are still thin while the sourcing pipeline gets built out; nothing gets posted that we have not eyeballed first.
Rewrite a single scene right inside the report and have Don Chuy score just that scene against the categories it was hurting — no new full read, no new credit. Aimed at the writer who knows exactly which page is broken.
Hear your pages out loud. Distinct voices per character across a chosen scene so you can catch the lines nobody can actually say, plus a dialogue-rhythm read-out from Don Chuy afterward.
Put your report beside the structural fingerprint of produced films in your genre — act lengths, character load, scene count, dialogue density — so you can see where your draft sits against the shelf it wants to be on.
Log every query, who it went to, when, and what came back, with nudges when a follow-up is due. Pairs with the Query & Pitch Desk so the letter you graded is the letter you tracked.
Set a weekly page target, log what you actually wrote, and keep a streak alive. Small, private, and never a leaderboard — just a nudge from Don Paco when the week goes quiet.
Shared libraries for a company or a writing team, with roles, internal notes, and a single billing line instead of five personal accounts.
Classroom accounts for instructors, with cohort dashboards showing how a whole class of drafts is improving over a semester.
Read your reports, track score movement, and get contest alerts from your phone. Uploading and full reads stay on the web where the pages live.
Assessments returned in Spanish, French and Portuguese for screenplays written in those languages, scored on the same rubric rather than a watered-down version of it.
Shipped. Dedicated fifteen-category frameworks tuned to television pilots, stage plays and books instead of judging every format against feature expectations, with a hybrid coin scale and a 210 Elite line for non-feature work.
Shipped. Complete start-to-finish reads broken down by act and chapter, plus clearly labelled limited scopes — first 60 pages or last 60 pages — with a preview of exactly what each scope covers before you spend anything.
Shipped. Every new draft links to the last one and returns a side-by-side read on all fifteen categories, so you can see which fixes landed and which slipped.
Shipped. Series, plays and books group into shelves you can reorder by hand, relabel by season and episode, and track category-by-category across every submission.
Shipped. A searchable, filterable library of produced screenplays to read and study, at /script-library.
Shipped. Track every outside contest in one place — deadlines, fees, a season budget, and honest writer ratings — while the Scriptageddon Contest itself gets built.
Shipped. Don Bandito's industry desk reads your report for comps, likely buyers, a budget band, and the current market temperature on that kind of story.
Shipped. Two free follow-up questions on every read, then one Red Pen Pass per answer, capped at ten before it becomes a new draft instead of a conversation.
Shipped. A public page of verified writer wins — sales, signings, options and placements — with proof attached, plus the Human-Written Verified mark on qualifying reads.
Shipped. Scene-level notes attached to the exact pages they refer to, plus a Dialogue X-Ray across your whole cast. Three Red Pen Passes ride along with every complete assessment, and extra packs sit beside the coins.
Shipped. Paste the query letter you were about to send, or the pitch you were going to say out loud, and Don Chuy grades it on hook, clarity, stakes, professionalism and market — then hands it back rewritten and sendable. Premium room.
Shipped. Any read at 150.0 or above mints a credential with its own permanent verification page — project, score, tier, date, nothing from your pages. One tap adds it to your LinkedIn profile as a certification, and anybody can click through and check it. Hide it any time and the link goes quiet.
Shipped. Open a private room on any finished report and hand the link to a writing partner, a teacher, or a manager. They read the score, the strengths, the hazards and the revision plan — never your pages — and every note they leave lands in one thread beside Don Chuy's. Close a link any time; the notes stay.
Shipped. Five guided lesson paths that reorder themselves around your weakest categories, each with free study material, drills, and progress you can tick off. Open the Academy and start with Course tracks.
Shipped. Screenwriting and film-industry openings gathered from across the business, with individual job pages you can save, share and come back to.
Shipped. Start a read and walk away — the projection booth keeps working, a live progress bar tells you where it is, and an interrupted read picks itself back up for free.
Founding screenwriters get asked before anything ships. Send a request through the Help Desk and it goes straight onto this board.