Tokyopictureshow headshot

Screenwriter

Tokyopictureshow

I'm a Kiwi screenwriter based in Tokyo, recently a 2025 Creative Screenwriting Feature and TV pilot semi-finalist, and 2026 Unique Voices semi-finalist. I'm also a dad to two growing boys of mixed ethnicity whose ears I suspect are painted on, but they love to eat.

181.8/225

Best score

Survival Ready

Tier

5

Assessed

Crime

Home genre

Strongest work on the slate

HANA

Crime thriller

After stumbling into a deadly robbery of a loan shark, a bullied suburban housewife must outwit both ruthless criminals hunting her and cops closing in before her unravelling family becomes collateral damage.

181.8

Survival Ready

THE REST OF THE SLATE

Every scored project this screenwriter has made public, strongest first.

  • HANA

    Crime thriller

    After stumbling into a deadly robbery of a loan shark, a bullied suburban housewife must outwit both ruthless criminals hunting her and cops closing in before her unravelling family becomes collateral damage.

    167.7

    Strong Draft

  • HANA

    Crime thriller

    After stumbling into a deadly robbery of a loan shark, a bullied suburban housewife must outwit both ruthless criminals hunting her and cops closing in before her unravelling family becomes collateral damage.

    163.2

    Strong Draft

  • FEATHERSTON 1.4.26

    Crime Mystery

    In a quiet New Zealand town, a washed-up journalist uncovers a string of suspicious deaths tied to a WWII POW massacre, forcing him to expose a deadly cover-up by the town’s elite, before he’s buried with the truth.

    157.9

    Strong Draft

  • HANA

    Action, Crime, Thriller

    After stumbling into a deadly robbery of a loan shark, a bullied suburban housewife must outwit both ruthless criminals hunting her and cops closing in before her unravelling family becomes collateral damage.

    145.2

    Strong Draft

What these numbers are, and are not

An Armageddon Score is one reader’s structured opinion of a draft on the day it was read — not a ranking of the screenwriter, and not a prediction of what the industry will do. What the industry actually did is kept separately, in the ledger.

See the Outcomes Ledger

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